3. You guys are used to play live, how did you experience the recordings? Margriet: We've recorded in studio's a number of times, but this was no comparison to doing the recordings for "A touch in the dark". All our previous recordings have been done live, adding double tracks afterwards. The advantage of this way of working to me was that you could keep and catch the feeling of the band and transfer this to the listener, it's a very true and honest presentation of the band. It's quite exciting and confronting to hear yourself on tape without any effects. Because the whole band was always present at the studio we were able to support each other and at the end of the day we would all be tired of listening and goofing around. Recording "A touch in the dark" was very different, all the different parts were recorded separately, so without everyone being present at the studio all the time. We've also had a producer this time and a month worth of studio-time. The bass and Keys were recorded in Germany; the rest was done at the Excess Studios in the Netherlands. I really missed the band feeling, but on the other hand it was great being able to experiment more with my vocals. This time I could permit myself to spend one day on 1 song, instead of doing 10 songs in one day. It has all been a very intense and confronting time for all of us, but on the other hand it was very educational to work this in this manner and being more critical about the results. Karin: I strongly felt like being an outsider.thinking you're playing better than ever, or at least trying to do so, and than a voice from behind the glass tells you that you can do much better than that.. In a studio you have to work hard. And it's really different playing on stage, feeling the chemistry between the musicians and the audience. Or to focus on timing at the studio. |